San Diego, CA. (October 16, 2024) /ENDURANCE SPORTSWIRE/ — Today, Charles Costa, a UK musician formerly known as King Charles, is completing 90 marathons in 90 days along the PCT, and releasing his first single titled “Nothing at the Most” off his new self-titled album. Ten years ago, a skiing accident left Costa with a brain trauma that paused his music career and continues to shape his mental health journey. Costa is relaunching his career under his given name, Charles Costa, and will be releasing other new singles leading up to the new album release on January 24, 2025.
Various factors have influenced this rebirth, from sharing his artist moniker with the actual monarch, to this already deeply personal artist becoming increasingly eager to explore the vulnerabilities of the man behind the music. That introspective desire is powered by his inspirational, ongoing charity endeavor, which today reaches a new peak as he completes the last of his 90 Marathons in 90 Days challenge – a grueling 2,650 mile trek along the Pacific Crest Trail. Costa has been running to support the invaluable work carried out by The Jed Foundation, a nonprofit that protects emotional health and prevents suicide for our nation’s teens and young adults, and James’ Place, a UK based charity dedicated to suicide prevention for men.
“Mental health is an ongoing battle,” said Costa. “The message that I’m trying to get out with this run is that I really believe running is a very healthful, curing activity, that can completely untangle your way of thinking. It’s getting your heart pumping, it’s getting your lungs heaving, and it’s really getting back to your human self. It’s all about connecting your spirit to the world, and to music and to melody. So I’m banging the drum about running and singing being the cures that bring immediate relief to a lot of brain difficulties.”
The song “Nothing at the Most” is part of a collection of songs filled with the sounds and lyrics to represent the journey between longing and lament. Costa made this record with Jesse Quin at Old Jet Studios combining songs with productions to create a new identity for his debut album as Charles Costa.
”Nothing At The Most” is a stirring, churning, cellos-and-more chamber-pop ballad which is a step apart from anything he released as King Charles: its grandeur, drama and intimacy capturing the emotions of a man who confesses to having spent much of his life chasing something that he ultimately realized he didn’t need. But while it’s different – grit where there was once flamboyance, pure authenticity in place of often character-driven songs – his distinctive voice remains, like a beckoning call from an old friend.
Listen to the new single HERE and pre-order/pre-save Costa’s debut album HERE.
Nothing At The Most
When love-lost must die,
No coffin song sung,
No church bells were rung.
Don’t leave me now,
Don’t let love die,
Don’t let me live,
If love drowns so must I.
When the night comes calling the day looks so much like a ghost.
Tells me, I know nothing – I know nothing at the most.
But if I know anything, I know I know that I loved you the most.
Take what you need,
There’s no room for love inside these lonely walls now –
Oh don’t walk out.
When the night comes calling the day looks so much like a ghost.
Tells me, I know nothing – I know nothing at the most.
But if I know anything, I know I know that I loved you the most.
Well Im chasing the blues,
They’re following me too, I cannot get away from you.
When the night comes calling the day looks so much like a ghost.
Tells me, I know nothing – I know nothing at the most.
But if I know anything, I know I know that I loved you the most.
About Charles Costa:
The artist formerly known as King Charles, maker of three beloved albums (LoveBlood, 2012; the Marcus Mumford-produced Gamble for a Rose, 2016; Out of My Mind, 2020), has been plotting his abdication for the best part of two years, ever since the pretender to the throne became, well, nothing of the sort. In 2010, he had a catastrophic skiing accident in Austria. The result was brain trauma that put him in a very, very delicate position psychologically for a number of years. All of which explains why Costa is launching his new self-titled album by being in another place entirely – figuratively and literally. It’s why he’s so driven, not just as a musician but as an ultra-runner. By testing and pushing both his songwriting skills and his physical fortitude, and making repairs to his own mental and emotional wellbeing. An artist as adept at stretching his legs, as he is pushing his emotions, as he is finessing them in song. Follow along @charlescostaofficial.
Media Contact:
Sarah Steinwand
Treeline PR
sarah@treelinepr.com
720.299.9888
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